By Sylvan Barnet; William Burto; William E Cain
Read Online or Download An introduction to literature : fiction, poetry, and drama, Edition: Fifteenth ed PDF
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This e-book bargains anything particularly new--an complex textbook that considers specialist writing as a negotiated technique among author and reader. Arguing that ethics, mind's eye and rhetoric are vital to expert writing, the e-book encourages scholars to seem significantly at quite a few writing practices in a variety of contexts.
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In this ebook, economists and literary students learn the makes use of to which the Robinson Crusoe determine has been positioned by means of the economics self-discipline because the booklet of Defoe’s novel in 1719. The authors’ serious readings of 2 centuries of texts that experience made use of Robinson Crusoe undermine the pervasive trust of mainstream economics that Robinson Crusoe is a benign consultant of financial supplier, and that he, like different financial brokers, should be understood independently of ancient and cultural specificity.
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Additional resources for An introduction to literature : fiction, poetry, and drama, Edition: Fifteenth ed
The truth that a writer makes us see is the “news that stays news” that Ezra Pound spoke of. Here is Hemingway talking about the writer's work: All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you; the good and the bad, the ecstasy, the remorse, and sorrow, the people and the places and how the weather was. (Esquire, December 1934), 68. The Hemingway story that we reprint, “Cat in the Rain” (page 83), deals with a young woman and a young man.
Only twice does the author use compound sentences (simple sentences joined by a conjunction, in this case the most child-like of all conjunctions, “and,” the language found in Dick and Jane children’s books). And perhaps it tells us something about life, even about our own lives, for instance about the disparity between our own grand view of ourselves and the simple reality. Now for a second very short story by Lydia Davis. City People  They have moved to the country. The country is nice enough: there are quail sitting in the bushes and frogs peeping in the swamps.
When we read a book of fiction, however, we do not expect to encounter literal truths;we read novels and short stories not for facts but for pleasure and for some insight or for a sense of what an aspect of life means to the writer. Consider the following short story by Grace Paley. While raising two children she wrote poetry and then, in the 1950s, turned to writing fiction. Paley’s chief subject is the life of little people struggling in the Big City. You write about what’s mysterious to you.