Amedeo Modigliani, l'art du portrait et du nu: Entre by 50 minutes, Coline Franceschetto

By 50 minutes, Coline Franceschetto

Décryptez l'art d'Amedeo Modigliani en moins d'une heure !
Figure éminente de los angeles bohème parisienne au tournant du XXe siècle, Amedeo Modigliani reste cependant en marge des avant-gardes de l'époque. Il élabore, dans une quête stylistique sans fin, des graphics épurés où se mêlent mélancolie et absence, mais aussi des nus qui créent le scandale. Entre culture et modernité, Modigliani invente un paintings inimitable et reconnaissable entre mille !

Ce livre vous permettra d’en savoir plus sur :
- Le contexte culturel dans lequel Amedeo Modigliani s’inscrit
- los angeles vie de l'artiste et son parcours
- Les caractéristiques et spécificités de son art
- Une sélection d’œuvres-clés de Modigliani
- Son impression dans l’histoire de l’art

Le mot de l'éditeur :
« Dans ce numéro de l. a. série "50MINUTES | Artistes", Coline Franceschetto se penche sur le parcours d'Amedeo Modigliani, cet artiste toscan qui établit ses quartiers à Paris à l'aube d'un siècle nouveau... "Nouveau", son paintings l'est aussi : analysant les thèmes de prédilection et le variety si particulier de l'artiste, l'auteure nous fait pénétrer dans les méandres d'un paintings particular en son style. Coline Franceschetto étudie plus particulièrement certaines œuvres emblématiques de Modigliani, notamment La Juive ou Nu couché aux bras ouverts. »
Stéphanie Felten

À PROPOS DE l. a. SÉRIE 50MINUTES | Artistes
La série « Artistes » de los angeles assortment « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l’histoire de l’art, du Moyen Âge à nos jours. Chaque livre a été conçu à l. a. fois pour les passionnés d’art et pour les amateurs curieux d’en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant position à toutes les interprétations.

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Extra resources for Amedeo Modigliani, l'art du portrait et du nu: Entre tradition et avant-garde (Artistes, numéro 38)

Sample text

The King was so pleased with him and judged him so worthy of the enterprise for make which he had been sent, that he knighted him and gave him the post of Secretary of his Pri\y Council, whence he was directed to send letters for the King VVhen Rubens had and his surviving son Albert concluded the peace, meeting the wishes of the peoples and to the satisfaction of the two kings, he took leave of the Sovereign of England who. to show his recognition, prior to Rubens' departure, conferred upon him a knighthood just as the Catholic King .

Agnes and St. Catherine bear the attributes of their martyrdom in addition to the palm branches carried by each woman in this procession. Opposite the Virgin, St. John the Baptist leads the prophets, among them Moses with the Tablets of the Law and David with crown and Kre, follow ed by prophetesses and sibyls. Perpendicularly below this procession we find an emperor wearing on his chest the chain of the Order of the Golden Fleece, and a king; behind them is a crowd of laymen, ladies, soldiers and peasants.

The painter paints. The Virgin poses. The courtesan poses. In one case, the woman beyond woman desired; in the other, the is upon these models, both irreducible and irreconcilable, that painting is based. It is the only possible and yet absurd synthesis desire. It between praying and desiring, inventing frigid Eros. Painting creates unsatisfied desire.

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